Contemporary art has transformed itself from a visual-centric undertaking to a multisensory experience, opening new possibilities for perception and participation through sensory resources. This study investigates how multisensory art experiences contribute to the formation of viewers’ subjectivity and autonomy. Focusing on works by Minji Kim, Ho Un Bac and Sejin Hyun, this study analyzes bodily and sensory engagement, along with the structures, contexts, and viewer experiences thereof. It explores how sensory experience progresses from bodily awareness, expands across modalities, interacts with environmental and sociocultural contexts, and leads to self-reflection and interpretation. Drawing on interdisciplinary frameworks derived from aesthetics, neuroscience, and political theory, the study explores the layers of multisensory experience and its role in shaping subjectivity. It argues that multisensory art goes beyond passive participation, enabling viewers to critically reflect on normative structures and reposition themselves as active agents.http://www.artntheory.org/html/sub3_05.html