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<channel>
	<title>Jihyun Kim</title>
	<link>https://jihyunarz.com</link>
	<description>Jihyun Kim</description>
	<pubDate>Mon, 14 Jul 2025 04:27:15 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://jihyunarz.com/Home</link>

		<pubDate>Mon, 14 Jul 2025 04:26:59 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

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		<description>
Jihyun Kim

	Project
	Exhibition
	Program
	Research
	About
</description>
		
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	<item>
		<title>Do You Need A Doctor?</title>
				
		<link>https://jihyunarz.com/Do-You-Need-A-Doctor-1</link>

		<pubDate>Mon, 14 Jul 2025 04:27:01 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/Do-You-Need-A-Doctor-1</guid>

		<description>Do You Need A Doctor?Daily performance project, Utrecht, The Netherlands, 2012
&#38;nbsp;This project began with a question inspired by Joseph Beuys’ agenda that “everyone is an artist”: If everyone can become an artist, wouldn’t the role of the artist ultimately become unnecessary? It draws a parallel to the role of a doctor—whose goal is to make people healthy, yet, if fully achieved, would render the doctor obsolete. Quoting the saying, “An apple a day keeps the doctor away,” the artist conducted a one-month daily performance&#38;nbsp;in which “prescriptions” (apples, other fruits, or various objects) were delivered daily to participants (referred to as "patients"), sparking philosophical dialogue through email.

The project was conducted remotely, with 7 participants who received these daily deliveries each morning under the guidance of a fictional figure,&#38;nbsp;“Doctor Kay.”&#38;nbsp;Participants knew nothing about the artist except this alias. After a few days, many began asking whether the apples were truly being sent by a person and eventually asked, “Why are you doing this?” These questions led to an ongoing exchange in which the artist shared personal reflections on the role and purpose of the artist.

There were challenges from the beginning: attempts to recruit participants through online platforms were blocked or flagged for impersonating a medical professional, despite clearly framing the project as an art piece. As a result, the artist turned to print advertising and successfully recruited 7 participants.

Through this work, the artist explored the potential self-negation embedded in the role of the artist, using the form of a doctor’s care to question and communicate the deeper existential purpose of art. It became a performative act that blurred boundaries between care, communication, and conceptual art.
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	환자를 모으기 위한 전단지


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4주간의 처방전 배달, 환자 1-7
&#60;img width="1500" height="1008" width_o="1500" height_o="1008" data-src="https://freight.cargo.site/t/original/i/cc8c9552b067a14b809b33be68fceae6b150fb54bfe08adcaf8b1f85d17eb76d/---.png" data-mid="235767853" border="0"  src="https://freight.cargo.site/w/1000/i/cc8c9552b067a14b809b33be68fceae6b150fb54bfe08adcaf8b1f85d17eb76d/---.png" /&#62;4주 간의 처방전 배달 (환자&#38;nbsp;#3과의 이메일 대화 일부와 처방전 기록
</description>
		
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	<item>
		<title>More than Welcome</title>
				
		<link>https://jihyunarz.com/More-than-Welcome</link>

		<pubDate>Mon, 14 Jul 2025 04:27:02 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/More-than-Welcome</guid>

		<description>More than WelcomeObservation and Record on Daily Situation, 2011
	Shortly after moving to a new place in Utrecht, the Netherlands, I began a small gesture of welcome by placing a slice of bread on a tile in the backyard—an area that, situated right next to a canal, functions as a semi-public space&#38;nbsp;frequented by passersby and occasional visitors.

As a way of greeting and inviting connection, I offered this humble gesture to anyone who might encounter it. Over the course of a year living in this location, I observed and documented the position and condition of the bread each day, using it as a subtle indicator of the&#38;nbsp;presence, behavior, and movement patterns of backyard visitors—whether human or animal.

Through this quiet, ongoing act, I sought to build a relationship with the space and those who entered it, using the bread as both a marker and a medium for connection, attention, and silent exchange.



&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/2e27677eff81b95fd94af3be561ee768b1519512317b3bdbd94d90b264bda148/IMore-than-Welcome-S-750.jpg" data-mid="235767863" border="0"  src="https://freight.cargo.site/w/750/i/2e27677eff81b95fd94af3be561ee768b1519512317b3bdbd94d90b264bda148/IMore-than-Welcome-S-750.jpg" /&#62;

	설치 장소



&#60;img width="1539" height="1041" width_o="1539" height_o="1041" data-src="https://freight.cargo.site/t/original/i/86b1bfbae1ba02cba8e7489168fb2d8d07b755c4455b8da42d07b6d7fb4ad757/more-than-welcome1.jpg" data-mid="235767864" border="0"  src="https://freight.cargo.site/w/1000/i/86b1bfbae1ba02cba8e7489168fb2d8d07b755c4455b8da42d07b6d7fb4ad757/more-than-welcome1.jpg" /&#62;2011.09.16.설치 첫 날 기록 / 비디오 기록

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&#60;img width="750" height="1125" width_o="750" height_o="1125" data-src="https://freight.cargo.site/t/original/i/cca4105c34b9fd78eb7bf7830b6224a5fc6e051c59044c6361f5ea3402d51166/imore-than-welcome-with-cor-750.jpg" data-mid="235767866" border="0"  src="https://freight.cargo.site/w/750/i/cca4105c34b9fd78eb7bf7830b6224a5fc6e051c59044c6361f5ea3402d51166/imore-than-welcome-with-cor-750.jpg" /&#62;

&#60;img width="1918" height="878" width_o="1918" height_o="878" data-src="https://freight.cargo.site/t/original/i/6351d896c5168359b1ed0db88454b834ef7b3d1089ff729851dd7b1fffa71ddb/more-than-welcome2.jpg" data-mid="235767865" border="0"  src="https://freight.cargo.site/w/1000/i/6351d896c5168359b1ed0db88454b834ef7b3d1089ff729851dd7b1fffa71ddb/more-than-welcome2.jpg" /&#62;설치 당일, 설치 후 며칠,&#38;nbsp;몇 달 후의 기록</description>
		
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	<item>
		<title>Still in One Piece After Breaking up</title>
				
		<link>https://jihyunarz.com/Still-in-One-Piece-After-Breaking-up</link>

		<pubDate>Mon, 14 Jul 2025 04:27:03 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/Still-in-One-Piece-After-Breaking-up</guid>

		<description>Still in One Piece After Breaking up526 pieces of broken mirror, Utrecht, The Netherlands, 2011
	I scattered the fragments&#38;nbsp;of a full-length mirror that had shattered into over 500 small pieces. Carrying these fragments with me, I walked through the city of Utrecht, placing each one in a different location across the urban landscape. For every fragment I placed, I recorded its&#38;nbsp;GPS coordinates (latitude and longitude)&#38;nbsp;and photographed the site.

Once all the fragments had been distributed, I compiled the data into a map marking each location, effectively creating a dispersed, site-specific installation throughout the city. This map was exhibited at the&#38;nbsp;local tourist office&#38;nbsp;and made available for visitors to take—inviting them to embark on their own&#38;nbsp;reflective journey&#38;nbsp;through Utrecht, both literally and metaphorically, by seeking out the mirror fragments scattered across the city.



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	유리 조각이 설치된 장소(위도, 경도)가 기록된 지도




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유리조각 기록 일부 / ARCHIVE</description>
		
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	<item>
		<title>Market for Lemons</title>
				
		<link>https://jihyunarz.com/Market-for-Lemons</link>

		<pubDate>Mon, 14 Jul 2025 04:27:05 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/Market-for-Lemons</guid>

		<description>Market for LemonsPerformance, Lemons in Art Fair, Tampere, Finland, 2012
	definition of market for lemon





	&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/86231d4d822ac0dadf5dabec2075aea005e3469465bb108a86d279e2ed830c39/web1.jpg" data-mid="235767909" border="0"  src="https://freight.cargo.site/w/1000/i/86231d4d822ac0dadf5dabec2075aea005e3469465bb108a86d279e2ed830c39/web1.jpg" /&#62;
아트페어에서 판매하는 레몬&#38;nbsp;



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아트페어에서 판매된 레몬&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Treasure Hunting</title>
				
		<link>https://jihyunarz.com/Treasure-Hunting</link>

		<pubDate>Mon, 14 Jul 2025 04:27:08 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/Treasure-Hunting</guid>

		<description>Treasure HuntingDaily performance project, Paris, 2011
	I divided a map into a grid, with months as rows (vertical)&#38;nbsp;and&#38;nbsp;days as columns (horizontal). Each day, I visited the corresponding area on the map based on the date, and&#38;nbsp;collected discarded objects&#38;nbsp;found within that designated section. I documented the&#38;nbsp;GPS coordinates (latitude and longitude)&#38;nbsp;of each object’s location and gathered them as materials.

Each day’s collection of objects was then assembled into a single sculptural piece, forming a daily artifact. These completed daily objects were exhibited alongside a set of&#38;nbsp;books, which included photographs and records detailing the original location, shape, and position of each found item.

After the exhibition, each object was returned to its original neighborhood, placing them back into the environments from which they came—completing a cycle of collection, transformation, and return.




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	지도





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&#60;img width="1200" height="428" width_o="1200" height_o="428" data-src="https://freight.cargo.site/t/original/i/b096445de9f31a4b8ccbdec9d1e0f711d87519cbca7ee18a1fa5c219a3bc0e2c/7-7-5.jpg" data-mid="235767926" border="0"  src="https://freight.cargo.site/w/1000/i/b096445de9f31a4b8ccbdec9d1e0f711d87519cbca7ee18a1fa5c219a3bc0e2c/7-7-5.jpg" /&#62;
&#60;img width="1500" height="539" width_o="1500" height_o="539" data-src="https://freight.cargo.site/t/original/i/f9dfb59d4827d890d8b5593234b812cd47305161c2c519258eef1072d6b57346/7-7-6.jpg" data-mid="235767927" border="0"  src="https://freight.cargo.site/w/1000/i/f9dfb59d4827d890d8b5593234b812cd47305161c2c519258eef1072d6b57346/7-7-6.jpg" /&#62;
&#60;img width="1500" height="505" width_o="1500" height_o="505" data-src="https://freight.cargo.site/t/original/i/264175244141b34057d4d1c4ed2ad94b62a51b2db179d30d1b3964b2980666c7/7-7-7.jpg" data-mid="235767928" border="0"  src="https://freight.cargo.site/w/1000/i/264175244141b34057d4d1c4ed2ad94b62a51b2db179d30d1b3964b2980666c7/7-7-7.jpg" /&#62;
&#60;img width="1200" height="404" width_o="1200" height_o="404" data-src="https://freight.cargo.site/t/original/i/f779779bca50d0caa73b27327c6ca9d19470ad0d99fdd306a61ea86d98c620c9/7-7-8.jpg" data-mid="235767929" border="0"  src="https://freight.cargo.site/w/1000/i/f779779bca50d0caa73b27327c6ca9d19470ad0d99fdd306a61ea86d98c620c9/7-7-8.jpg" /&#62;
&#60;img width="1500" height="505" width_o="1500" height_o="505" data-src="https://freight.cargo.site/t/original/i/7194744122fca8fecad2a006bb561cdbc2702645d16b597ca3dc85220e7aa31a/7-7-9.jpg" data-mid="235767930" border="0"  src="https://freight.cargo.site/w/1000/i/7194744122fca8fecad2a006bb561cdbc2702645d16b597ca3dc85220e7aa31a/7-7-9.jpg" /&#62;
&#60;img width="1500" height="508" width_o="1500" height_o="508" data-src="https://freight.cargo.site/t/original/i/7a4c0d09f285f0c1b9d8a9da33490b1dbe824737de1c93e76ec6beaa7250ece2/7-7-10.jpg" data-mid="235767931" border="0"  src="https://freight.cargo.site/w/1000/i/7a4c0d09f285f0c1b9d8a9da33490b1dbe824737de1c93e76ec6beaa7250ece2/7-7-10.jpg" /&#62;
&#60;img width="1500" height="537" width_o="1500" height_o="537" data-src="https://freight.cargo.site/t/original/i/a600fc5b92d11ad10c6959df9cd0cbf462cdefa6583db76cc0d2b88a0305728f/7-7-11.jpg" data-mid="235767932" border="0"  src="https://freight.cargo.site/w/1000/i/a600fc5b92d11ad10c6959df9cd0cbf462cdefa6583db76cc0d2b88a0305728f/7-7-11.jpg" /&#62;
&#60;img width="1500" height="535" width_o="1500" height_o="535" data-src="https://freight.cargo.site/t/original/i/a0114013942bb39d1fe1b9c32e80b803780ca9f64b569ba8601414b9f8a01f03/7-7-12.jpg" data-mid="235767933" border="0"  src="https://freight.cargo.site/w/1000/i/a0114013942bb39d1fe1b9c32e80b803780ca9f64b569ba8601414b9f8a01f03/7-7-12.jpg" /&#62;
&#60;img width="1500" height="541" width_o="1500" height_o="541" data-src="https://freight.cargo.site/t/original/i/fd2a02f09d0d097ba0c02c426af71d86a2c72ab6d1f87f8a2e36659d97cb8b59/7-7-13.jpg" data-mid="235767934" border="0"  src="https://freight.cargo.site/w/1000/i/fd2a02f09d0d097ba0c02c426af71d86a2c72ab6d1f87f8a2e36659d97cb8b59/7-7-13.jpg" /&#62;
2011년 7월 7일의 기록 및 오브제
&#60;img width="1000" height="1333" width_o="1000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d7f3af358637557af357eb85d58ebcdc7646029ea6ab9d62b7f44d55e926fcd5/cIMG_0706_s.jpg" data-mid="235767935" border="0"  src="https://freight.cargo.site/w/1000/i/d7f3af358637557af357eb85d58ebcdc7646029ea6ab9d62b7f44d55e926fcd5/cIMG_0706_s.jpg" /&#62;전시 전경
</description>
		
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	<item>
		<title>30 bis F.C.Donderstraat</title>
				
		<link>https://jihyunarz.com/30-bis-F-C-Donderstraat</link>

		<pubDate>Mon, 14 Jul 2025 04:27:10 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/30-bis-F-C-Donderstraat</guid>

		<description>
30 bis F.C.DonderstraatLive perfromance, 2011&#60;img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/3c5d45e89fddf18bf81d8d79bbd520e12acd638e56ba6895e9cafe413ec81e3d/img23871200-1800.jpg" data-mid="235767964" border="0"  src="https://freight.cargo.site/w/1000/i/3c5d45e89fddf18bf81d8d79bbd520e12acd638e56ba6895e9cafe413ec81e3d/img23871200-1800.jpg" /&#62;</description>
		
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	<item>
		<title>Archive</title>
				
		<link>https://jihyunarz.com/Archive-1</link>

		<pubDate>Mon, 14 Jul 2025 04:27:13 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/Archive-1</guid>

		<description>

Space Drawings

Video Works

Ongoings</description>
		
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	<item>
		<title>Please Do Not Toss Coins into the Artwork</title>
				
		<link>https://jihyunarz.com/Please-Do-Not-Toss-Coins-into-the-Artwork</link>

		<pubDate>Mon, 14 Jul 2025 04:27:13 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/Please-Do-Not-Toss-Coins-into-the-Artwork</guid>

		<description>

 

	Instruction 

	Trick, Typo
	Proposition 65
	Stay Still
	Keep Moving
	Error 404

 

&#60;img width="1191" height="1684" width_o="1191" height_o="1684" data-src="https://freight.cargo.site/t/original/i/d5ee367478694208474a81a2d4475098eeb3fa5cdb6889509ac718c36e4d3b69/-_web.gif" data-mid="235772649" border="0"  src="https://freight.cargo.site/w/1000/i/d5ee367478694208474a81a2d4475098eeb3fa5cdb6889509ac718c36e4d3b69/-_web.gif" /&#62;Please Do Not Toss Coins into the Artwork우리가 전시장이나 일상에서&#38;nbsp;마주치는&#38;nbsp;안내문은&#38;nbsp;대개&#38;nbsp;중립적으로&#38;nbsp;보인다.&#38;nbsp;그러나&#38;nbsp;감상자의&#38;nbsp;행동을&#38;nbsp;규정하는&#38;nbsp;이&#38;nbsp;문장들은&#38;nbsp;단순한규칙&#38;nbsp;전달을&#38;nbsp;넘어,&#38;nbsp;권력&#38;nbsp;관계를&#38;nbsp;은밀히&#38;nbsp;드러내는&#38;nbsp;기호이자&#38;nbsp;감각과&#38;nbsp;움직임을&#38;nbsp;조율하는&#38;nbsp;통제&#38;nbsp;장치로&#38;nbsp;작동한다.&#38;nbsp;권력과&#38;nbsp;통제를&#38;nbsp;시각화하고&#38;nbsp;구조화한&#38;nbsp;언어를&#38;nbsp;비롯한&#38;nbsp;다양한&#38;nbsp;감상의&#38;nbsp;장치들은&#38;nbsp;예술과&#38;nbsp;제도의&#38;nbsp;작동&#38;nbsp;방식,&#38;nbsp;관객의&#38;nbsp;위치와&#38;nbsp;역할을&#38;nbsp;둘러싼&#38;nbsp;문화적·정치적프레임&#38;nbsp;속에서&#38;nbsp;자율성과&#38;nbsp;통제&#38;nbsp;사이의&#38;nbsp;긴장을&#38;nbsp;드러낸다.《Please Do Not Toss Coins into the Artwork》는 제도적 언어가&#38;nbsp;관람이라는&#38;nbsp;상황&#38;nbsp;속에서&#38;nbsp;작동하는&#38;nbsp;방식과&#38;nbsp;그것이&#38;nbsp;감각,&#38;nbsp;인식,&#38;nbsp;위치를&#38;nbsp;어떻게&#38;nbsp;조직하는지를&#38;nbsp;탐색하는&#38;nbsp;작업들로&#38;nbsp;구성된다.&#38;nbsp;전시는&#38;nbsp;지시문과&#38;nbsp;제도,&#38;nbsp;착시와&#38;nbsp;오류,&#38;nbsp;감각의&#38;nbsp;층위와&#38;nbsp;조율,&#38;nbsp;관객의움직임에&#38;nbsp;의해&#38;nbsp;경계가&#38;nbsp;모호해지거나&#38;nbsp;해체되는&#38;nbsp;이미지와&#38;nbsp;정보,&#38;nbsp;그리고&#38;nbsp;감상의&#38;nbsp;주체와&#38;nbsp;대상을&#38;nbsp;전복시켜&#38;nbsp;예술의&#38;nbsp;전제를&#38;nbsp;되묻는&#38;nbsp;설치&#38;nbsp;작업으로&#38;nbsp;이루어진다.&#38;nbsp;이처럼&#38;nbsp;작가의&#38;nbsp;작업은&#38;nbsp;익숙한&#38;nbsp;감상&#38;nbsp;규범이나&#38;nbsp;관객에게&#38;nbsp;부여된&#38;nbsp;전제들을&#38;nbsp;은근히&#38;nbsp;비튼다. 관객 혹은 다른 대상이&#38;nbsp;주체가&#38;nbsp;되는&#38;nbsp;감상의&#38;nbsp;상황에서&#38;nbsp;비롯되는&#38;nbsp;감각과&#38;nbsp;유희,&#38;nbsp;그리고&#38;nbsp;그&#38;nbsp;안에서&#38;nbsp;마주치는&#38;nbsp;불편함과&#38;nbsp;미묘한&#38;nbsp;낯섦의경계에서&#38;nbsp;작동하는&#38;nbsp;이&#38;nbsp;전시는,&#38;nbsp;예술을&#38;nbsp;둘러싼&#38;nbsp;제도와&#38;nbsp;감각의&#38;nbsp;조건&#38;nbsp;속에서&#38;nbsp;개인이&#38;nbsp;점유하는&#38;nbsp;위치와&#38;nbsp;자율성의&#38;nbsp;가능성을&#38;nbsp;질문한다.</description>
		
	</item>
		
		
	<item>
		<title>Tran/Po-sition</title>
				
		<link>https://jihyunarz.com/Tran-Po-sition</link>

		<pubDate>Mon, 14 Jul 2025 04:27:15 +0000</pubDate>

		<dc:creator>Jihyun Kim</dc:creator>

		<guid isPermaLink="true">https://jihyunarz.com/Tran-Po-sition</guid>

		<description>

&#60;img width="2100" height="1500" width_o="2100" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7637df71314fcfd6150a593eccd3b3dbc33fa0dcd92eaf755b8c6c75d2df518b/2019-Tran_Po-sition.JPG" data-mid="235768010" border="0"  src="https://freight.cargo.site/w/1000/i/7637df71314fcfd6150a593eccd3b3dbc33fa0dcd92eaf755b8c6c75d2df518b/2019-Tran_Po-sition.JPG" /&#62;

	A Back Room
	Double Reflection
	Make A Noise
	Your Move


</description>
		
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